Posts Tagged ‘roh’

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by @anarchyroll
3/11/2014

In a recent episode of Colt Cabana’s Art of Wrestling podcast, Dean Ambrose called out the United States independent pro wrestling scene for a couple of things. Each of which was both right, justified, and long overdue. Before he was Dean Ambrose in the WWE he was Jon Moxley on the Indy scene. Jon Moxley was the best thing going on the Indy scene for a solid year, if not two. He was a regular in DGUSA, Evolve, and was champion in CZW amongst many, many others. If there is anyone this side of 2010 who is qualified to talk about the US Indy scene this side of 2009 it is Jon Moxley/Dean Ambrose. Ambrose raised the following issues/points;

  1. The Indy scene has too many mark promoters and too many mark wrestlers/talents.
  2. The fans and wrestlers of the Indy scene are too egotistical about the information about the wrestling business they read on the internet and therefore feel authoritative about.
  3. The Indy scene has too many championships/title belts.
  4. The Indy scene is full of wrestlers who are too stiff
  5.  The Indy scene is full of wrestlers who don’t sell the impact of the strikes and maneuvers they perform on each other therefore making what they do look more fake and unrealistic than the business of pro wrestling is by nature.

Ambrose is spot on in each point he raised. He is not just another worker, he was a highly successful Indy scene performer who based on his excellence received a contract from the WWE in less than half a decade of his debut. That time frame is the exception, not the rule. Dean Ambrose is an exceptional talent and an authority on the US Indy scene. Here is why I think he was right in each point that he raised at the Cabana Compound.

  1. Promoters and wrestlers are marks by nature. If they weren’t marks, they wouldn’t be in the business. The problem is when the inmates run the asylum, chaos ensues. A state of chaos is an apt and accurate way to describe any and every Indy promotion that isn’t called ROH, PWG, or AAW. Wrestlers are supposed to be marks for themselves at least a little bit. Ego and creative success are intertwined. But the promoters need to be a check and balance, not an enabler. The fact that everyone wants to run their own ship shows that the promoters are bigger marks than businessmen. There should be no more than ten Indy wrestling promotions in the US. Three on each coast and six throughout the Midwest, South, and Great Plains.
  2. If you think the fans of the Indy scene aren’t too smart marky for their own good, then you haven’t been to an Indy show in the US in at least eight years.
  3. If you don’t think the Indy scene has too many title belts, then you haven’t been to an Indy show in the US in at least ten years.
  4. The wrestlers being too stiff means they are either too big of marks for their own good or are not properly trained or both and these days on the Indy scene it is usually both.
  5. If you don’t think the Indy scene has a problem with a lack of selling, lack of believability, lack of pacing, and lack of logic in the matches; you haven’t been to a US Indy show in the last six years. Davey Richards got scapegoated for this but he was merely a product of his environment. I could list all the culprits, but then this would be a long form piece. I understand why this has become so pervasive. To tell you the truth, I prefer matches like this to the 80s style rest hold fest that legends and fresh out of academy newbies have on the Indy scene. The problem is that it has run its course and like hardcore wrestling before it, should now be saved for storyline/feud climax matches.

Indy wrestlers would do themselves individually and the business as a whole a favor by dedicating themselves to forming their creative characters and physical bodies to be larger than life as opposed to how many super kicks and clotheslines they can fit into the last five minutes of a match. And for those who don’t care about character development or joining a gym, they should really focus on making their matches as close to a mixed martial arts contest as possible without stiffing the hell out of each other. It’s 2013, not 1987 or 1999. Be either larger than life or relevant to the current cultural landscape not a copy of a copy of a copy of a copy of an archetype from the 1960s.

Dean Ambrose is an exceptional talent but what got him into the WWE is not once in a generational, freak talent/ability. If you watch his non death matches from the Indy scene, he is having logical, believable matches. Strikes, submissions, and maneuvers are all in balance. His promos are unique to his character, a character that is unique to him. Ambrose/Moxley is a prototype for anyone out there who wants to be a wrestler in this day and age. He really is. If you are stupid enough to think you shouldn’t be studying old school wrestlers and matches, study him. He has “it”. He certainly is my favorite wrestler of this new generation that is coming up in WWE and the Indy scene this side of 2010.

Every wrestler currently on the Indy scene with no immediate hope of being signed by WWE, which is the vast majority, would be wise to heed his words and study his success.

potatoshooterlogosportsrollby @anarchyroll
2/21/2014

Quinton “Rampage” Jackson is one of the greatest mixed martial artist of all time. Undeniably one of the greatest knockout artists the sport has ever seen even if his place in the overall pantheon is questioned. Jackson is also a lifelong fan of professional wrestling. Jackson recently defended pro wrestling’s legitimacy from its haters.

Calling pro wrestling fake is outdated. The correct term is pre determined. The correct term is wrestling is live entertainment like theater or exhibition stunt shows. Theater actors get injured on stage, stunt people get injured on movie sets, and neither group works three hundred plus days a year like professional wrestlers do. If they do, they’re not getting their bodies thrown onto plywood covered by insulation padding and canvas.

Rampage isn’t the only highly successful mixed martial artist to defend the legitimacy of pro wrestling and pro wrestlers. On episode four of The Steve Austin Show, Chael Sonnen talked about how when he needed to get serious about his cardio, he went and trained with pro wrestlers.

No wrestling fan over the age of ten thinks that they are seeing a sporting event. But last I checked, plenty of people go and see concerts to hear songs they already know the lyrics to, pack movie theaters to see fictional events played out in spectacular fashion, and Photoshop the hell out of realistic photos to make them more pleasing to the eye.

Pro wrestling is entertainment, it is a simulated, exhibition combat sporting event with a predetermined winner. It’s where the NFL meets Broadway. A synergy of live sports and live theater. But those bumps and high spots you see that make you pop hurt. Those muscled up bodies you see taking said bumps take years of discipline and dedication in gyms to form. Those larger than life characters and emotionally gripping verbal exchanges take lifetimes of preparation to execute to perfection.

So have some fucking respect. Pro athletes from the NFL, NHL, NBA habitually talk about how pro wrestlers are the best athletes on the planet because they don’t have an offseason. 300 plus days a year on the road. A band that literally never stops touring except if they get physically injured beyond what band aids and pain killers can mask.

Still think pro wrestlers can’t hold a lick to real fighters. Then I’ve got two words for ya,  Brock Lesnar.

potatoshooterlogoajclogo2by @anarchyroll
1/2/2014

2013 started out with a lot of potential. The Rock came back, the spinner belt was retired, Hulk Hogan’s TNA contract wasn’t renewed, Jim Cornette stopped booking ROH, Brian Danielson became the biggest star in the business, and Brock Lesnar made magic with CM Punk at Summerslam in an absolute masterpiece of a pro wrestling match. However, as I’ve been reading various dirt sheets’ year in review lists, blogs, polls, etc one thing is clear…2013 was an overall down year for the business.

Ratings, attendance, and buy rates were down for each of the big three. WWE, TNA, and ROH were each at one point during the year completely unwatchable, although as per usual ROH kept their bad programming to a minimum and insanely awesome programming to a maximum. Especially as the year went on, Delirious distinguished himself as one of the best bookers of post attitude era, if not the best in my personal opinion. Many would say TNA was unwatchable the entire year, I wouldn’t argue per say, but would stick up for the last month of the BFG series and the last month of the year. We all know when WWE went downhill don’t we? I’ll give you a hint, the entire season of autumn.

I’m from Chicago, I’m not a Cubs fan but waiting until next year seems woven into my DNA whether I want it to or not. I believe 2014 will be a very good year for pro wrestling/sports entertainment. Here’s why:

WWE: Lesnar, Batista, Taker will all be in the fold from January through April. WrestleMania season is literally a 1/4 of the year and those three part timers mixed with the emerging era of midsized workhorses WWE has developed (Bryan, Punk. Cesaro, Ziggler, Ambrose, Rollins, Rhodes, Sandow) will lead to great matches by default that will only need good storytelling and production value to pop a rating, both of which are WWE’s specialties. My money is on Brian Danielson main-eventing and winning the Undisputed Title at WrestleMania XXX. Why? A gut feeling guided by pattern recognition from 24 years of watching pro wrestling.

TNA: In case you haven’t noticed, and judging by all metrics of monetary success, you haven’t, TNA Impact Wrestling has been putting on quality television for a whopping six weeks now. Although many haters shat all over the Dixie gimmick tournament, and Dixie Carter in general (deservedly so), the pacing, production, character development, and storytelling segment to segment, show to show, has become definitively solid since Bound for Glory. TNA has a history of this, see 2009, and even though I may not find the majority of the show personally entertaining, good TV principles are good TV principles, and TNA is utilizing them consistently for six weeks and counting.

ROH: As a mark for the original ECW it should come as no surprise that I find ROH to be the most entertaining company in the modern wrestling era. The fast paced, aggressive, more high spots less selling style appeals to me more personally. BUT my match of the year 2013 is CM Punk vs. Brock Lesnar, which was the opposite of what I just described. Take the indyriffic matches out of it and I still say ROH is producing the best television show consistently, week in week out, month in month out, big show to big show. Everything that takes place on ROH TV means something, leads to something, and/or is connected to something that has been going on in the company for at least three months. If you bitch and moan about WWE and TNA being piss poor (which at times you’d be right) then you better be watching ROH. In case you missed it, Cornette is gone, so it’s safe to come back, Smokey Mountain of Honor died as of Final Battle 2012. 2013 was a great year for the company and unless the entire roster reports to NXT, 2014 should see them grow as big and bright as Sinclair Broadcasting is willing to monetarily invest.

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by @anarchyroll
11/23/2013

Chris Hero made his triumphant return to the indy scene last weekend.  The matches saw him wrestle a star of the past in “Sugar” Shane “Hurricane” Helms and a star of the future in “The Whole Shebang” Johnny Gargano. Both matches were well received and considered technically proficient at a high level, as should be expected considering all three participants.

It was just a little less than ten years ago that many were calling Chris Hero the next Chris Jericho in the same breath they were calling CM Punk the next Shawn Michaels. In the years that followed, one of those two defied their indy guy label and physique to break through the glass ceiling from rassler to pop culture relevant sports entertainer. The other just made his return to the indy scene.

Chris Hero’s release was greeted with a lot of shock from internet wrestling fans. Wasn’t his arrival to WWE developmental delayed by six months due to some kind of failed test?   I’m not too sure because that fact got blurred into a haze of his bouncing moobs during his entrance at ROH Final Battle 2011. Speaking of moobs, let’s get to the heart of why Kassius Ohno is no more.

There are two kinds of things in this world. Those things we have direct control over and those that we don’t. What we don’t have direct control over we can only put focus, energy, and effort toward influencing. A good physique is required to get over in the WWE unless you are a super heavyweight (Gorilla Monsoon, Yokozuna, Great Khali, Kane). CM Punk didn’t change this, nor could he. The bodybuilder archetype is a product of Vince Sr., only elevated by his son. Before Hogan, Cena, Warrior, and Batista there was Bruno Sammartino, Superstar Billy Graham, Rocky Johnson, Tony Atlas and so on.

From the day Hero signed his contract he had body related issues, why did Claudio get to NXT months before him if they were signed at the same time?  Lifting weights is tedious if you aren’t being paid to do it full time. It is made clear what people signed to WWE Developmental are supposed to do with their time. Do work in the ring, in the weight room, on the treadmill, in the tanning bed, watch tape, ask questions, don’t fail a drug test or get arrested, find and develop a character and mic/promo skills, and hit the weight room again.  Did I miss something?

I have seen Chris Hero wrestle in person well over a dozen times. He doesn’t need help on the mic, doesn’t need help in the ring, his cardio is solid, his character can use some distinguishing, and if he was tan enough for HDNet cameras he is tan enough for WWE cameras.  But, the elephant in the room is not Chris Hero’s physique, it is his attitude toward developing it.

It was reported that Triple H personally squashed Hero’s main roster elevation this year over physique and conditioning concerns. Anyone who says they are surprised this happened is lying or ignorant, and not just because of Triple H’s history of squashing pushes. The last time Chris Hero’s physique wasn’t an issue for him was when he still wore shirts and pants. I thought when he got to developmental, his instructions would have been to lift weights five days a week, learn to work for hard camera the sixth, and rest on the seventh.

Chris Hero is a great worker, a mechanic with natural charisma which for me is the ideal combination. He also has size, all he needed was the physique. If he was unwilling to put in the time and supplements to get in shape for vanity purposes, that it is his failure not the WWE’s. 21 months is more than enough time to develop abs, grow lean muscle, clean bulk up, and then cut down WWE’s ideal size/look when you are 6’4.

Hopefully he gets the message and hears the wake up call. What are those? That what he does and the way he does it has reached its pinnacle which in this case is a plateau. To get to the next level he’ll have to do things differently. His move set doesn’t need to change, his hair or beard don’t need to be shaved, his attire doesn’t need an over haul, he doesn’t need to cease being a hip hop enthusiast.

Much like Colt Cabana found The Art of Wrestling to elevate his status, Chris Hero can do the same with learning to love and cultivating the habit of regular weight training.  Tastes can evolve, the brain is like plastic, he can learn to like it, can learn to be good at it, can make it part of his lifestyle, which will in turn open up new doors that have and are presently closed to him.

I empathize with his self imposed plight. Weight training is hard. I myself have lost 60 lbs over the past year and easy is not a word I would use to describe the process in any way, shape, or form. I am about to start clean bulking up 40 lbs over what is likely to be an extended period of time. Again it will be hard, probably would be less hard if WWE moved me to Orlando and paid me to train for two years, just saying.

Don’t know what you got till it’s gone will in my estimation be how this period is remembered two or three years from now when Kassius Ohno and Antonio Cesaro are challenging for the WWE Tag Titles. I think Hero will wake up in a cold sweat on a cold night in Ohio and realize what he had and will have the fire lit under his ass to do everything he can to try and get it back.  That fire under his ass, that is why he got released, because that is what he’ s missing in WWE’s eyes, not just that 20 extra pounds of lean mass.