Posts Tagged ‘media’


Corporate Consolidation, Media Mergers, and the Remaking of the American Press


Back in January, comedian Nikki Glaser made a joke about CBS News during her Golden Globes monologue.

The audience laughed. At the time, it felt like satire. Six months later, it reads more like documentation.

Because what has unfolded since then is no longer just commentary about journalism’s decline, it is structural change happening in real time.

Journalism didn’t die because people stopped caring about the truth. It didn’t collapse under a single failure or scandal.

It was gradually absorbed through acquisition, restructuring, and financial logic that treated public information as a cost center rather than a civic function.

The watchdog wasn’t killed. It was acquired.


Journalism’s Long Decline

The crisis didn’t begin in 2026.

It began decades earlier, as advertising revenue migrated to digital platforms and subscription models failed to fully replace it.

Newsrooms contracted. Local papers disappeared. Investigative desks were reduced or eliminated entirely. Veteran reporters were replaced by smaller teams expected to produce more content in less time.

The result wasn’t an immediate collapse. It was degradation through efficiency.

Journalism became faster, cheaper, and thinner; optimized for output, not scrutiny.



The Age of Consolidation

As revenue collapsed, ownership consolidated.

Each merger promised efficiency. Each acquisition promised stability. Each restructuring promised survival. What they rarely promised was more journalism.

And each wave of consolidation reduced the number of independent decision-makers shaping what millions of people would see as “news.”

The public still sees different logos. Different anchors. Different branding.

But behind those surfaces, fewer institutions now determine what qualifies as newsworthy.

And fewer still are structurally insulated from corporate pressure.


The Battle for CBS News

Recent turmoil at CBS News illustrates the new reality.

Leadership changes, editorial disputes, and internal restructuring have raised a question that once would have been unthinkable at legacy institutions:

Who actually controls editorial judgment: journalists, or ownership?

Regardless of where one stands on Bari Weiss or the direction of reform, the structural issue remains unchanged.

Once ownership begins reshaping newsroom priorities directly, editorial independence becomes conditional rather than assumed.

And once that happens, credibility stops being inherited. It has to be defended story by story.


When Journalism Becomes Brand Management

As Noam Chomsky observed:

“The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum.”

Modern media rarely looks like censorship. It looks like constraint. Stories are not always blocked. They are deprioritized. Investigations are not always stopped. They are rendered expensive.

The old concern was advertiser pressure. The new concern is executive intervention. And as consolidation increases, those pressures begin to merge into a single structural force: risk management.

Once ownership starts editing the newsroom, every story becomes a conflict-of-interest disclosure waiting to happen.


The PR Replacement

Public relations was once journalism’s subject. Now it increasingly functions as journalism’s substitute.

Across corporate and political institutions, communications teams have expanded while investigative newsrooms have contracted. Entire infrastructures now exist to generate narratives faster than they can be scrutinized.

The imbalance is not subtle. A single institution may employ dozens of people shaping messaging, and only a handful of journalists attempting to interrogate it. Guess which side tends to be better resourced.

This produces a media environment saturated with professionally engineered statements, narratives, and “official explanations” that arrive prepackaged for publication.

Increasingly, journalism is not competing with PR. PR has already won.

The modern information economy has produced a quiet inversion: those most capable of shaping public narratives are least accountable to the public, while those tasked with challenging them operate with diminishing capacity.

The appearance of scrutiny without scrutiny. The appearance of accountability without accountability.

What replaces journalism isn’t ignorance. It’s simulation.


What Journalism is Supposed to Do

Journalism was never supposed to make powerful institutions comfortable. It was supposed to make them uncomfortable.

As Glenn Greenwald has argued:

“Journalism’s ultimate purpose is to hold those in power accountable.”

That is the job. Not access. Not brand protection. Not institutional stability. Accountability.

Without it, journalism becomes something else entirely.

Edward Snowden captured the consequence of failing institutions more broadly:

“When exposing a crime is treated as committing a crime, you are being ruled by criminals.”

While originally referring to state secrecy, the principle extends further. Institutions that fear scrutiny tend not to be strengthened by it. They tend to suppress it, avoid it, or neutralize it.

Healthy systems absorb criticism. Failing systems resist it. Declining systems begin to treat criticism itself as the problem.


The News is Still Here

The news industry spent years warning the public about misinformation. Fair enough. But misinformation was never the only structural threat.

Concentrated ownership is a threat. Executive intervention is a threat. The conversion of newsrooms into corporate subsidiaries is a threat.

For decades, concern focused on whether governments would control the press. Far less attention was paid to how thoroughly the press was becoming embedded within the same consolidation logic that reshaped nearly every major American industry.

The danger is not that information disappears. The danger is that it remains everywhere while journalism becomes increasingly rare.

Headlines will continue. Alerts will continue. Breaking news banners will continue. The machinery will keep running.

But a society can drown in information while starving for truth.

The watchdog wasn’t killed. It was acquired.

The news is still here. Journalism isn’t.

How manufactured distraction masks elite power grabs



“The most potent weapon in the hands of the oppressor is the mind of the oppressed.” — Steve Biko


We’re not fighting each other.

We’re being told we are.

While billionaires rig markets, write laws, and extract more than ever before, we’re fed a diet of distraction: who wore what, who said what, who to cancel, who to worship.
Culture wars and celebrity scandals dominate the headlines. Political rage becomes entertainment. Reality is replaced with performance.

Meanwhile, real decisions get made in rooms we’re not in.


Distraction is strategy.

Bread and circuses is policy.

The phrase comes from ancient Rome. Give the people food and entertainment, and they’ll ignore the empire crumbling around them.
Today’s version isn’t lions and gladiators. It’s 24/7 news cycles, viral beef, televised outrage, algorithmic dopamine, and the myth that “both sides” are the problem.

But both sides serve the same class.
The one you’re not in.


“The purpose of the modern media is to make the public passive and distracted, not informed and engaged.” – Glenn Greenwald


Who benefits from distraction?

Follow the money.

Culture wars don’t threaten capital.
They serve it.
If we’re busy hating each other, we’re not organizing. If we’re bickering about bathrooms, we’re not taxing billionaires. If we’re glued to gossip, we’re not watching the war profiteers, the surveillance state, or the bought politicians signing our futures away.

Distraction is not a side effect. It’s the point.


Manufactured chaos is cover.

Power prefers shadows.

The more noise, the less clarity.
The more conflict, the less unity.
The more fear, the more control.

Every celebrity trial, every TikTok feud, every political theater act keeps us from looking up. Keeps us consuming, not questioning. Arguing, not organizing.


“The press is not a watchdog. It’s a tool used by the powerful to manage public opinion.” – Matt Taibbi


We don’t need more sides.

We need more sight.

Start with the question: Who does this serve?
When the story goes viral, when the talking heads scream, when the rage is addictive—ask it again:
Who benefits from our attention being here?
Because the real theft isn’t always money.
Sometimes, it’s focus.


“You are being made to focus on the sideshow, while the tent burns down.” – Edward Snowden


anarchyjc.com // Truth over tribalism.
@anarchyroll_ on TikTok | @anarchyroll on Threads, X, IG, and Bluesky



“There is beauty and humility in imperfection.” – Guillermo del Toro

We are our own worst critic. We identify with our thoughts by default. We think we are our minds by default. So the idealized image of ourselves that we have in our heads is the standard we hold ourselves to. Regardless of how unrealistic that image is.

Then life layers wouldas, couldas, and shouldas on top of that idealized self-image. Social media inundates us with non-stop upward social comparisons. The rest of the media seems determined to scare and isolate us. Now all of a sudden negative self-talk that was once a pesky house fly, has evolved into a full-on rodent infestation. 

Our lives are constantly a work in progress. Social media not only encourages but actively boosts and rewards people and brands who present their image as a finished polished product. In the moment, how could we not compare ourselves and feel less than?

“Comparison is the thief of joy,” – Theodore Roosevelt

Self-criticism, like everything else in life, doesn’t happen in a vacuum. It often spirals, like all bad habits seem to do.  Before we know it, we haven’t just had our joy taken from us, but our confidence, esteem, and belief in ourselves. 

Curating our social media feeds is a more tangible option than deleting them altogether. Much like how eating a little better and doing a little exercise is a more realistic way of getting in shape. Small steps, one at a time, will add up more consistently than radical change at once for the majority of us.

The current era of social media has made philosophy, mindfulness, psychology, health, and wellness information more accessible, digestible, and entertaining than ever before. Searching topics and following accounts on informative and educational content has been a big help for me since the COVID lockdowns. 

Not a day goes by that I don’t watch at least a couple of Reels or YouTube shorts with clips from some of my favorite authors or thought leaders on self-improvement material. Whereas I once had to choose to watch a twenty-minute video or listen to a whole podcast, I can now get snack-sized, 30-second, personal development information on pretty much any platform. 

This can serve as a positive/productive double-edged sword. In that, it can make people feel less bad/wasteful about using social media in the first place, then provide beneficial information that is as easy to consume as it is to understand. So we’re beating ourselves up less for doom scrolling, and beating ourselves up less because we’re feeding our minds healthy information instead of metaphorical junk food.

Every little bit helps.

It really does. Every little beneficial thing we do for ourselves does help and does add up the more we do. No cure-all or magic pill of course. Consuming some informative content while we’re staring at a screen doesn’t do the work of self-actualizing for us. But it’s a step in the right direction, even if it is a baby step.  Baby steps still mean we’re moving forward. 


Some of the accounts I follow that create content that adds value to my life:

The Daily Stoic, The School of Life, Eckhart Tolle, Robert Green, Philosophies for Life, Therapy in a Nutshell, Dr. Tracey Marks, HealthyGamerGG, T&H, Einzelganger, Hellohappie Inspiration, Huberman Lab, and After Skool

Check any/all of those out, let me know what you think of them, and if you have some recommendations of accounts you think I should look into, please let me know in the comments.

Manufacture of Consent

That term has fascinated me from the moment I heard the term.

Same goes for Social Conditioning.

I used to think people were willfully ignorant to these concepts. As I got older, I come to think it’s more of a combination of naïveté and fear.

We’re hard wired to conserve our energy and effort. This has been, is, and will be exploited by those with power and influence against those without them to keep it that way.

Control.

It’s all about control. Influence. Manipulation.

To do what?

Benefit those in power.

That those with the most have such a scarcity mindset is sad.

The fact that their scarcity mindset causes so much undue suffering to the masses is something worse than sad.

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By @anarchyroll

For as much money as the X Men movie franchise has netted over the last two decades, one would think they would have a better reputation and wouldn’t be in need of saving. But that is exactly where the franchise found itself heading into Logan this past spring.

Logan recently had its home release, coming out on Blu Ray, digital download, etc. I saw it in the theater and absolutely loved it from the opening blood bath, to the bloodier climax, to the era ending book end as the credits rolled.

The movie got lots of press and lots of positive reviews that were both well-earned in my opinion. One thing that I didn’t see get much coverage was the fact that the movie was not a take on the Old Man Logan graphic novel but was rather a classic “What If” or alternate version/universe comic book. My personal favorite series of alternate universe comic books were the Marvel vs DC crossover comics from the mid 90s.

Logan was a critical and commercial smash hit. Something the X Men franchise desperately needed. One has to wonder if the movie’s success will bring about more alternate universe comic book movies going forward. What other franchise(s) could benefit from abandoning their current story arc/ timeline and making a stand a lone film with the same characters but in a completely different story arc?

backgrounds_logan_outer

Doing this would immediately eliminate the need to constantly remake origin story movies as has been seen ad nauseum in the Superman, Spiderman, Batman, and X Men movie franchises. That alone makes this concept worth moving forward on. It would certainly draw in more fans that are often scarred away from seeing comic book movies over the dread of having to sit through yet another origin story.

Alternate universe films would spice things up and could resurrect dead franchises. The Fantastic Four immediately comes to mind. Why not just abandon another reboot and just make a film where they are in space dealing with Galactus? A dormant franchise like Blade could benefit from this as well. Whether Wesley Snipes returns or the role is recast, forget retelling the birth of Blade, just drop the audience into Blade doing work. Put the origin story in the trailer or as a mini film on YouTube and let the movie be balls to the wall from open to close.

More comic book movies can be made using alternate universes, just like is done with comic books. How many timeline versions of Batman, Captain America, The Avengers, and Green Lantern are currently in circulation? Alternate universes would allow stand alone Iron Man, Cyborg, Hulk, Green Lantern, X Men, etc movies to be made while Avengers and Justice League movies are being made. Why does only one actor/actress have to play Tony Stark or Diana Prince?

Would this over saturate the market? I ask you, how many comic book movies actually come out each year? Compared to horror movies, rom coms, and CGI animated kids movies?

Fox has essentially started moving forward on this concept over the past three years. Days of Futures Past and Old Man Logan are two of the better alternate universe comic book series’ in history. Marvel is balancing standalone franchises with each individual member of The Avengers between each super film. Tying the individual films into the overall Marvel Cinematic Universe story arc is both an entertaining and financially successful archetype.

With the financial backing of Disney, and such a vast amount of profit earned, Marvel can financially and creatively afford to take the risk of releasing alternate universe movies concurrently. DC might have to wait a few years to reestablish their credibility with the movie going public. Though the wild success of Wonder Woman might allow them to start earlier if they want.

Something tells me this is inevitable with the way the entertainment/ media industry is evolving. Netflix and The CW having their own comic book worlds of secondary characters is likely just a long-term test for the A listers to have; high budget super hero, slow burn narrative, action adventure, television shows in the spirit of Game of Thrones.

The tipping/saturation point for comic book movies and tv shows has not come close to being reached. The numbers don’t lie. People wont go see any comic book movie if it is poorly made and receives more reviews. However, one need only look at the highest grossing movies for each year over the past decade to see that there is a vast, loyal, paying audience for comic book movies. Having comic book characters played by different actors and actresses in alternate universes, made and released concurrently is the next logical step for the genre.